GKO Café: A new role for art houses | Shaping changing places

REFLECTION


Manoeuvre & Palestine Café: Onzichtbaar Werk

Reflection


Basel Zaraa 'Dear Laila'

Memories of a Home: An Intimate Journey Through Loss and Resistance of a Palestinian Family


[cancelled] BREAKFASTCLUB #6

REFLECTIE


WERKER COLLECTIVE: Study Group AGAINST WORK

REFLECTION 'On Artistic Strategies of Unproductivity'


Sana Ghobbeh 'This Wall Grows At Its Root'

Performance


POC POC Manifesto

Reflection: talks and interventions


Tot in de stad! Work in Progress

Reflection: open studios, dinner conversation, performance, whine & wine


Playtime

reflectie


Endless Exhibition

Slowly changing exhibition without end date questions the autonomy of individual artworks


Tarek Atoui 'the Shore / a place I'd like to be'

exhibition


Sirah Foighel Brutmann & Eitan Efrat 'Là'

exhibition


Building Castles in the Sky

Art trail: Ghent is transformed through the imagination of its youth


Frederico Araujo & Julie Mughunda 'SHARK'


Abattoir Fermé & Compagnie Cecilia 'GENESIS'

A turbulent and baroque spectacle


Pascal Gielen 'Vertrouwen'

Reflection


DEEWEE, LIPPSTICK DJ's, Lieselot Siddiki & Pol Heyvaert 'Countdown'

Dancing all night with a countdown clock as the master of ceremonies


Lisa Vereertbrugghen 'While We Are Here'

Powerful crossover between techno and folk dance


Katy Baird 'Get off'

A raw and unfiltered glimpse into the human desire for connection


Benny Claessens 'White Flag'

Surrender as a form of resistance


Laurence Roothooft, Suze Milius 'SHE'

The role of a lifetime


Anna Vercammen & Joeri Cnapelinckx 'The Pale Baron'

Felix and Felka’s revolutionary Singalong 😉 Bingbong!


Rosie Sommers & Micha Goldberg 'GERMAN STAATSTHEATER'

Slapstick and self-mockery versus overstressed bodies and burn-outs


CANCELLED: Mette Ingvartsen 'Skatepark'

Contemporary dance on wheels


Brian Lobel with Gweneth-Ann Rand '24 Italian Songs & Arias'

A hilarious opera recital to celebrate failure


Milo Rau 'Medea's Children'

The blood-drenched tragedies of adult life seen through the eyes of children


Double bill: Francesca Grilli 'Record' & Sesa 'Spoken Word'

Performance on adolescence, between courage and isolation & spoken word performance


Pascal Gielen 'Vertrouwen'

Reflection

Pascal gielen copyright uantwerpen
  • Wed 17.04 – 20:00 – CAMPO boma
    Gratis

Culture is the foun­da­ti­on of soci­e­ty. Everything is cul­tu­re: how we give mea­ning to our lives, how we tre­at each other, how we enga­ge in poli­tics, how we tra­de, how we tre­at the envi­ron­ment. Therefore, cul­tu­re should be freely sha­red and made by eve­ry­o­ne. After all, cul­tu­re is ori­gi­nal­ly a col­lec­ti­ve good. It occu­pies a third spa­ce bet­ween mar­ket and govern­ment that we call com­mons’. Pascal Gielen (University of Antwerp) wro­te the book Vertrouwen (Trust in English) about tho­se commons. 

For deca­des, this com­mon ground is being occu­pied by mar­ket play­ers loo­king to make a pro­fit out of it, or govern­ments loo­king to make poli­ti­cal capi­tal out of it. As a result, cul­tu­re loses its soci­al dyna­mism and its abi­li­ty to give mea­ning to the lives of new gene­ra­ti­ons, or to gene­ra­te mea­ning again and again in exchan­ges with other cultures. 

In Vertrouwen, Gielen argues for a poli­tics of trust that lets peo­p­le auto­no­mous­ly devel­op and mana­ge their own cul­tu­re. Because if cul­tu­re no lon­ger has a com­mon ground, peo­p­le are pre­ven­ted from making sen­se of them­sel­ves and the world. 

On 17 April, CAMPO orga­ni­ses an eve­ning around the­se cul­tu­ral com­mons’ and how to build that trust. After a pre­sen­ta­ti­on of the book by Gielen and a res­pon­se to it by Philsan Osman (author, acti­vist & com­mu­ni­ty buil­der), mode­ra­tor Lara Staal (hou­se artist NTGent & cura­tor) will enga­ge in a con­ver­sa­ti­on with Leontien Allemeersch (Kunstenplatform PLAN B, de Koer), Amani El Haddad (Gents Kunstenoverleg, Palestine café Ghent), Dirk Holemans (Denktank Oikos) and Frederik Sioen (Vooruit).

In Dutch
Duration: 1.5 to 2 hours

Free entran­ce, reser­va­ti­on nee­ded via this link